Now out in paperback, the novel our reviewer, Stefan Beck, called, "a prismatic metafictional wonder: a fake memoir that blasts fake memoirs, while speaking passionately on family, memory, and identity; a publishing-world satire; a literary mystery; a comedy; a tragedy; and a pretext for [Arthur] Phillips's virtuoso, full-length imitation of a Shakespearean history play, The Most Excellent and Tragical Historie of Arthur, King of Britain."
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