The Whiskey Rebels

David Liss's new novel, set in an America where financial collapse is imminent, teems with double crosses, political intrigue, concealed identities, blackmail, spies, and sex scandals. The stock market is on a roller-coaster ride, and brokers on the trading floor reek of panic and floppy sweat.

Welcome to 1792.

In his fourth novel, The Whiskey Rebels, Liss moves from the European setting of his previous historical novels to explore a frontier America where determined patriots plot to bring about the collapse of the new Bank of the United States, the brainchild of Treasury Secretary Alexander Hamilton. While this attempt to destroy the bank is fictional, the financial panic of 1792 was real, as was a controversial "whiskey tax." A year earlier, Hamilton had convinced Congress to assume the states' debt from the war by approving a tax on distilled spirits.

The whiskey tax had been approved by Congress as a simple means of helping fund the Bank of the United States. What better way to raise revenues, it had been argued, than to tax a luxury, and a harmful one at that, that many enjoyed? Let the men who would waste their time with strong drink pay for the economic growth of the new nation.


The tax eventually led to a full-scale uprising by owners of small distilleries -- mainly in western Pennsylvania -- who felt they were being unfairly assessed a fluctuating fee while larger distillers were only charged a flat rate. Civil protest led to armed rebellion in 1794, and President George Washington invoked martial law to quell the violence.

The Whiskey Rebels focuses not on the bloody events in western Pennsylvania but instead on the equally treacherous financial chaos that played out in Philadelphia and New York two years earlier. In his biography of Alexander Hamilton, Ron Chernow described the tenuous economic bubble facing the new Republic: "Buoyed by credit, the prices of government and bank securities soared to a peak in late January 1792, exceeding any sane levels of valuation?.Then euphoria turned to doubt and doubt to despair as shares began a precipitate five-week slide." Surely, Liss's nostrils flared at the scent of collapsing markets -- this was exactly the kind of scenario made for him.

Liss has a well-earned reputation for writing diligently researched novels that chart the beginnings of our complex and often corrupt financial system. A couple of centuries have done little to change the way greedy bureaucrats try to manipulate the economy. When reading novels like Liss's 1999 A Conspiracy of Paper or The Whiskey Rebels, it's not hard to imagine his characters in Armani suits, screaming into cell phones while gesticulating wildly on the exchange floor. Physically, the Wall Street of today looks nothing like the stock market of yesteryear: "ll real business was transacted in nearby taverns and inns -- the trade in government issues, securi...











I'd had whiskey before, in quantities I would not have credited in my former life, but here was something entirely different. It was darker, I saw by the light of the fire, amber in color and more viscous. And its flavor -- it was not merely the sickly sweet heat of whiskey, for there was a honey taste to it, perhaps vanilla and maple syrup and even, yes, the lingering tang of dates.


By so effectively transporting us into the past, Liss also brings history forward. Everything old is new again, he seems to be saying, while advising us to keep a nervous eye on the ticker scroll running across CNN. In the end, as one character notes in the novel, the rebels' plot is not about the bank: "It's about averting chaos, riot, and bloodshed and another war of brother against brother. This country is a house of cards, and it will not take much to bring it down." Bellwether words indeed for today's stockbrokers.

April 23: " 'A job,' the woman repeated again, smiling, as if I hadn't heard her. 'Would you like one?' "

Kenneth Calhoun (Black Moon) and Lysely Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

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