Just after publishing The
Black Jacobins (1938), his great history
of the Haitian slave revolt, the Trinidadian man of letters C. L. R James
settled in the United States, where, in due course, he began to think of
writing about Abraham Lincoln. The project that took shape in his mind was
unusual. For one thing, James thought historians should look at history from
below, with an eye to how the slaves had fought back against their oppression.
He wanted to treat Lincoln as part of their story, not vice versa. But James
also wanted the book he had in mind to discuss both Shakespeare's play King Lear and the Russian revolutionary
V. I. Lenin.
Peculiar as this may
sound, it made a kind of sense. For James, Lear is the definitive picture of an
old social order in the process of disintegration, while Lenin was the
visionary architect of a new way of life (though James, as a fierce
anti-Stalinist, had nothing good to say about what had been done with the
blueprints meanwhile). In effect, Lincoln would appear in the middle panel of a
triptych: the most Shakespearean of presidents, and one whose enemies saw him
as a dictator.
Only fragments of the
project were left behind when James died in 1989—and I doubt very much that
Eric Foner had any of it in mind while writing The Fiery Trial: Abraham Lincoln and American Slavery, which is as painstaking
and straightforward a book as James's would have been imaginative and
idiosyncratic. But there is an affinity between them, even so. The Fiery Trial is not, strictly
speaking, a biography of Lincoln; the attention is always focused on his
relationship to slavery, with other aspects of his life and personality
refracted through that question. And because slavery was the fault line running
through the very depths of American society, each nuance or shift in Lincoln's
attitude is charged with enormous implication. Foner shares James's feel for
how a leader's outlook is shaped by (and then responds to) tensions unfolding on
the world's political stage.
Foner is one of the great contemporary U.S. historians, and one
doesn't want to go too far with comparing this book—in some ways a prequel to
his 1988 book Reconstruction: America's Unfinished Revolution, 1863-1877—to a
work of drama. But his method throughout The
Fiery Trial takes advantage of the fact that we, the audience, know
something the main character cannot: that the attitudes towards slavery
expressed in his early life (when he hated it while also keeping his distance
from abolitionism) are so many steps along the way to the enormous cataclysm of
the Civil War. Foner takes care to emphasize Lincoln's own words as they were
recorded at the time—not the later recollections of them by people who knew, as
we do, what was coming.
He registers each little
shift of attitude and widening of perspective along the way, while continuously
situating Lincoln's opinions (and his occasionally maddening silences) in the
context of the debates of the time. While there is no reason to doubt the
statement, near the end of his life, that he had always hated slavery, that
revulsion reflected a sense that it was morally damaging to white people—much
like alcoholism. Like other reformers of the day, he saw "genuine freedom
as arising from self-discipline rather than self-indulgence," writes
Foner, "something violated by both drinkers and slaveholders, who
allegedly lived according to their passions." This Calvinist streak was
accompanied by a policy wonk's sense of how the problem could best be solved—through
compensating slaveholders for emancipation while relocating freed slaves to
Africa.
So
much for trying to patch over a crack in the foundation. In time, Lincoln
shared the conviction that the country faced "an irrepressible conflict
between opposed and enduring forces" that would make it "either
entirely a slaveholding nation, or entirely a free-labor nation," to quote
a famous speech from 1858 by William H. Seward, his future Secretary of State.
But Lincoln remained persistent in trying to pursue gradualist efforts to
eradicate slavery, well into the Civil War—with no regard, most of the time,
for any notion that black people might have a say in the matter.
Foner
is too serious a historian to editorialize about how Lincoln was a racist. Sure
he was; the point is cheaply made. But as ex-slaves throw themselves into
combat against the Confederacy—and the need to destroy the old system, root and
branch, becomes inescapable—Lincoln begins to develop a conception of
African-American citizenship with implications that can only be called radical.
This is a powerful book, confirming the point that C. L. R. James often made: a
leader, however farsighted, may unleash forces that then push him further than
he ever imagined going.
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