Displaying articles for: July 2012

Never A Dull Moment

Romantic suspense lovers tell me over and over that what draws them to the genre is its constant tension. Conflict comes from two different sources, either in the story's suspense element or its romance element. While this is a key attraction in romantic suspense, I also love the way those two elements twine so closely that a synergistic effect arises -- the suspense intensifying the romance; the romance amplifying the suspense. The result: a novel with constant action, conflict, tension, and emotion. This type of carefully woven tapestry is a true art, one that takes practice, skill, and talent, typically cultivated over time.


The two books I'm highlighting today come from authors with many, many years of experience and numerous awards in their wake. I'm excited that authors of this caliber are stepping into the self-publishing arena to share previously unpublished works with readers; works that would have otherwise stayed under the bed or hidden in the closet, seen by traditional publishers as non-viable for one reason or another.


This is, in essence, Rock*It Reads’ mission -- to bring quality self-published books to readers from authors with years of professional experience behind them.


Will The Real Author Please Stand Up?

After I graduated from college, I rediscovered reading for pleasure. Words were finally fun again. They were wonderful, lyrical escapes, as far removed from textbooks and term papers as college life was from the real world. Words intoxicated me and I read myself drunk on them every day. Armed with a handy-dandy library card because, after all, I’d just graduated from college and though my head was full of knowledge, my pockets were empty, I discovered the work of Victoria Holt.

I loved Ms. Holt’s unique blend of history, gothic elements and suspense and quickly gobbled up The Indian Fan, The Curse of the Kings and My Enemy the Queen, along with all the other Holt titles on my library’s shelves. When I exhausted her backlist, the helpful librarian, who knew me well by then, suggested I try Jean Plaidy.  As it turned out, Victoria Holt and Jean Plaidy were one and the same person—Eleanor Hibbert, who also wrote as Philippa Carr. Earlier in her writing career, she’d used the pen names Eleanor Burford, Elbur Ford and Ellalice Tate, too.


It was my first brush with the publishing phenomenon of multiple pen names and it’s still a common practice today.


Fantastic Fairy Tales

ONCE UPON A TIME . . . I love that timeless phrase. Just four simple words and you know you're about to be transported into the world of fairy tales.


The beloved genre of fairy tales, as we know it, is only a mere three hundred and fifteen years old. And it all started in France when a 17th century French writer, Charles Perrault, dared to do something no one had ever done before. You see, long before the Brothers Grimm, Hans Christian Andersen and Disney, Perrault was the first to take folklore that had been passed on verbally for centuries, write them down and add morals to tales such as Cinderella, Sleeping Beauty, and Little Red Riding Hood, to name a few. He was the creator of The Tales of Mother Goose. It's not surprising, really. He lived in a time and place that was full of the very elements we all love about fairy tales—prince and princesses, elegant lords and ladies, and opulent masquerade balls. A time of high culture and excesses.


April 24: "[The HST] lifted a curtain from our view of the universe, changing it so profoundly that no human can look at the stars in the same way..."

Kenneth Calhoun (Black Moon) and Lysley Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

Books, CDs, DVDs to know about now
In the Light of What We Know

Zia Haider Rahman's mystery of a brilliant Bangladeshi mathematician's past barrels through the Ivy League, London high finance, and spy-haunted Afghanistan in a page-turning tale of exile, intrigue and the price of friendship. A Discover Great New Writers selection.

The People's Platform

Once touted as the foundation for tomorrow's digital democracy, the Internet is increasingly ruled by a few corporate giants, while millions of contributors till its fields for free. Astra Taylor looks at why the web has failed to deliver a communitarian cyberscape, and offers a compelling case for restoring its original vision.

A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.