Displaying articles for: April 2012

Love Rocks: Unearthing Gems

 I’m thrilled to be inaugurating Love Rocks with a column about two wonderful new works of self-published romance. As Mia Marlowe writes, the authors of Rock*It Reads know how important quality is to readers because we’re readers too. We also know that self-publishing opens up doors for authors and readers. Once seen as the red-haired step-child of traditional publishing , self-publishing in the digital era is fast becoming  part of the literary mainstream.

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Welcome to Love Rocks!

Once upon a time ‘self-published’ was synonymous with ‘self-indulgent.’  Novice writers were duped into spending small fortunes in order to have their novel published in book form. More often than not, once the writer’s cousins and great-aunts had been manipulated into buying a copy, the hundreds (or thousands!) left over simply moldered in the author’s garage.

 

Enter the Brave New World of digital publication. 

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April 19: "What you see first, after the starting gun's crack, is a column of bobbing runners, thousands of them, surging downhill..."

Donna Tartt's The Goldfinch is the winner of the 2014 Pulitzer Prize for Fiction. James Parker calls this Dickensian coming-of-age novel "an enveloping…

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Books, CDs, DVDs to know about now
Poems That Make Grown Men Cry

And women too.  Luminaries from Colin Firth to Nick Cave and Jonathan Franzen chose the poems that bring them to tears, and the result is a stunning collection of poignant verse from writers like Auden, Whitman, Bishop, Larkin, Neruda and many others.  Warning: choking-up hazard.

The King of Pain

Trapped beneath his entertainment system, reality TV mastermind Rick Salter reflects on his life and tries to piece together the events of the previous evening. Seth Kaufman’s romp is an outrageous meditation on pain and entertainment in a deranged world in which the two are often interchangeable.

The Good Inn

Frank Black, frontman for the Pixies, has written a transgressive historical fiction with shades of Thomas Pynchon (focused as it is on the history of explosives and cinematic pornography), all set in a hallucinatory Edwardian Europe.