Displaying articles for: June 2012

Coming-of-Age Novels and Discover Great New Writers

Karen Thompson Walker’s astonishing debut, The Age of Miracles, is a perfect example of what the Discover Great New Writers program looks for in a comin-of-age novel, and a review in The New York Times reiterates our selection committee's enthusiastic response to the voice of the book's narrator, 11-year-old Julia.



To say that Stephen Cave's metaphysically provocative new book, Immortality, is an extended gloss on the famous Woody Allen joke -- "I don't want to achieve immortality through my work...I want to achieve it through not dying." -- is both accurate and trivializing. Allen (actually quoted for a different quip in chapter 8) gets full props for succinctly and memorably encapsulating two paths to immortality, those that Cave dubs "Legacy" and "Staying Alive." But the comedian utterly neglects to reference the other two strategies of "Resurrection" and "Soul." Cave, however, considers every possible angle of humanity's eternal anti-death quest in his highly readable treatise. His impeccable, insightful, invigorating chain of reasoning about death and its role as the driving force behind nearly every cultural institution and action in human history leaves no tombstone unturned.


Ride a Cockhorse

During the last decade or so of his life, Raymond Kennedy would occasionally and ceremoniously roll out of Brooklyn in his Lincoln Town Car and travel to western Massachusetts where I would see him now and again. He was drawn there by the countryside and the hill-andvalley towns of his youth, the region that provides the setting for all but one of his eight novels, including Ride a Cockhorse, his comic masterpiece.


"Stories Are Far More Important Than Possessions": A Conversation with Edmund de Waal

Edmund de Waal, author of The Hare with Amber Eyes, a Fall 2010 Discover Great New Writers selection, discusses connecting with readers, Proust, and the "odd correspondence between inheriting a story and inheriting an object."


"He's someone who will sacrifice every shred of his own dignity in an attempt to preserve it."

Maggie Shipstead, the author of Seating Arrangments, our newest B&N Recommends selection, discusses class-conscious WASPs, literary influences from Cheever to Perotta, and exploding whales.


The Barefoot Bandit

When Bob Rivers's Cessna was stolen and crashed in a rare instance of airplane piracy, the Seattle radio personality had the same thought as local authorities: drug runners had used, abused, and discarded the plane; case closed. To their astonishment, they later learned that the culprit in the 2008 heist was actually seventeen-year-old Colton Harris-Moore, a poor, neglected, troubled kid who'd had no formal flight training. This was the first time Colt had flown a plane, and yet it wouldn't be the last. He was in the midst of a years-long crime spree -- boosting cars, boats, identities, airplanes, and lots of food.


Stars and Tennis Shoes: Ray Bradbury, 1920-2012

Certainly the highest posthumous praise that can be conferred upon any writer is the assertion that his or her writing permanently altered the literary landscape for the better, opening new textual doors and engaging new readers. That the author's oeuvre was essential and irreplaceable and transformative. In short, that the work mattered, was unique and influential, was accepted and enjoyed, and will be preserved for future generations yet unborn.


Ray Bradbury, who died at the age of 91 on June 6, 2012, has unquestionably earned this accolade.


The Weird

The phrase "ocean of the stream of stories," traditionally applied to a vast cycle of Indian legends, now has a new rightful claimant in the form of Ann and Jeff VanderMeer's enormous new world-spanning, time-delving, mind-warping anthology of fantastika, The Weird, replenished as it is with flows from many lands and many eras. Assembled with passion, scholarship, and a clear vision, this Neptune-deep, Poseidon-rich volume establishes a non-exclusionary canon for "strange and dark stories," a crepuscular territory dear to the heart of any lover of tales that are deranged, odd, surreal, deracinating, spooky, creepy and -- well, just plain weird.


April 24: "[The HST] lifted a curtain from our view of the universe, changing it so profoundly that no human can look at the stars in the same way..."

Books, CDs, DVDs to know about now
In the Light of What We Know

Zia Haider Rahman's mystery of a brilliant Bangladeshi mathematician's past barrels through the Ivy League, London high finance, and spy-haunted Afghanistan in a page-turning tale of exile, intrigue and the price of friendship. A Discover Great New Writers selection.

The People's Platform

Once touted as the foundation for tomorrow's digital democracy, the Internet is increasingly ruled by a few corporate giants, while millions of contributors till its fields for free. Astra Taylor looks at why the web has failed to deliver a communitarian cyberscape, and offers a compelling case for restoring its original vision.

A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.