Displaying articles for: July 2008
Patrick finished reading. The class clapped politely.
"What did you like about Patrick?s diary entry?" Mr. Abrams asked.
What could anyone possibly say? "I liked the places where you could read your own handwriting." But no one would want to say something mean in Mr. Abrams?s class.
Despite its somber themes, Claudia Mills?s newest novel sparkles like a glass of ginger ale, peppery and sweet. Spirited Amanda blunders through mistakes that only make us love her more. A splash of American history, a dollop of friendship, a pinch of philosophy, humor, pathos, even a dash of romance -- The Totally Made-Up Civil War Diary of Amanda Macleish has something for every young reader.
imation is "chronic idio-
phathic demyelinating polyradiculoneuropathy" -- in other words, her immune system was decimating her nervous system. With spare, precise prose, gallows humor, and piercing observation, Manguso seizes and artfully organizes shards of memories of paralysis, breathlessness, extreme pain, and terror. She "grew used to being sick and looking forward to recovering" only to become "used to having no prognosis at all, because with a mysterious disease, all things are possible." Manguso masterfully evokes her yearnings to indulge her 20-something appetites (e.g., sex and alcohol) while instead forced to confront mortality -- enduring misdiagnoses and interminable hospital stays, encounters with former classmates turned nurses, and the death of a former lover. The Two Kinds of Decay is an indelible meditation on remembering what one longs to forget, by a woman emerging from the exile of illness.
Zia Haider Rahman's mystery of a brilliant Bangladeshi mathematician's past barrels through the Ivy League, London high finance, and spy-haunted Afghanistan in a page-turning tale of exile, intrigue and the price of friendship. A Discover Great New Writers selection.
Once touted as the foundation for tomorrow's digital democracy, the Internet is increasingly ruled by a few corporate giants, while millions of contributors till its fields for free. Astra Taylor looks at why the web has failed to deliver a communitarian cyberscape, and offers a compelling case for restoring its original vision.
Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan. In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.