Vilnius Poker

While reading Ricardas Gavelis's Vilnius Poker, a line from Joyce's Ulysses surfaced in my memory, "Stephen bent forward and peered at the mirror held out to him, cleft by a crooked crack, hair on end." On at least six occasions, Gavelis (1950-2002) name-checks the Irish Zeus who commemorated the capital of his homeland by besieging it with the distorting optics of his prose. What Joyce did for Dublin, Gavelis has in mind to do for the capital of Lithuania: chide it, gossip about it, and bore it into the memory of those who may never visit it. His point man in this mission is Vytautas Vargalys, an unhinged library archivist. A survivor of a labor camp, Vargalys is convinced that a demonic They, " metaphysical tribe that broke off from the human family in times past," are the ghosts in the machi...

May 23: Girolamo Savonarola was hanged on this day in 1498 and then incinerated in the same piazza in which the citizens of Florence had earlier attended more than one "bonfire of the vanities." George Eliot's 1863 novel Romola,

Do you recall the tagline from the very first Superman movie? "You'll believe a man can fly!" Well, I'm tempted to craft such a hyperbolic assertion for China Miéville's…

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The Legend of Pradeep Mathew

When a hard-drinking Sri Lankan sportswriter faces liver failure, he decides it's finally time to track down once-great  cricket star Pradeep Mathew. Shehan Karunatilaka's big-hearted, madcap novel reverberates with echoes of A Fan's Notes and Netherland. A Discover Great New Writers selection.

I Must Not Think Bad Thoughts

His subjects range from the suicide note as literary genre to the theme-parking of the Holocaust. But though Mark Dery's "drive-by essays" are sure to court controversy, the writer's commitment to entering intellectual no-fly zones make this collection a daring, bravura work of cultural criticism.

Old Ideas

With dates announced for his upcoming Old Ideas concert tour, we celebrate the inimitable Leonard Cohen: bard, survivor, legend. His most recent album is a return to form for the balladeer, exploring signature themes of lust and longing, spirituality and struggle, all overlaid with a droll sense of humor as familiar as Cohen's prophetic voice.