The Florist's Daughter

I come from people who have always been polite enough to feel that nothing has ever happened to them. So wrote Patricia Hampl in her first memoir, A Romantic Education; that 1981 book is a telling exploration of family and inheritance, detailing her journey from her native Minnesota to pre-Velvet Revolution Prague in quest of her father's Czech heritage. Meditative, lyrical, generous, it remains of the most memorable coming-of-age tales published in the past quarter-century.

Her new book, which begins at her mother's deathbed and circles back through the author's St. Paul childhood, focuses with similarly fulfilling attention on the two people she comes from most directly, a dapper florist and a fierce, savvy Irishwoman. "These apparently ordinary people in our ordinary town, living faultlessly ordinary lives, ... why do I persist in thinking -- knowing -- they weren't ordinary at all?" Her answer to that question -- delivered in a voice by turns poetic, reflective, narrative, and incisive -- is an aptly dutiful, extraordinarily beautiful testament. -

April 24: "[The HST] lifted a curtain from our view of the universe, changing it so profoundly that no human can look at the stars in the same way..."

Kenneth Calhoun (Black Moon) and Lysley Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

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Books, CDs, DVDs to know about now
In the Light of What We Know

Zia Haider Rahman's mystery of a brilliant Bangladeshi mathematician's past barrels through the Ivy League, London high finance, and spy-haunted Afghanistan in a page-turning tale of exile, intrigue and the price of friendship. A Discover Great New Writers selection.

The People's Platform

Once touted as the foundation for tomorrow's digital democracy, the Internet is increasingly ruled by a few corporate giants, while millions of contributors till its fields for free. Astra Taylor looks at why the web has failed to deliver a communitarian cyberscape, and offers a compelling case for restoring its original vision.

A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.