Sympathy for the Devil: Art and Rock 'n' Roll Since 1967

You won't find a lot of flyers or album art in this massive, lavishly illustrated volume. Rather, these critical essays are matched with full color reproductions of artworks to show how avante-garde artists and rock bands have mutually inspired one another through the past forty years. It begins -- as it must -- with Andy Warhol's two-year collaboration with the Velvet Underground and surveys the phenomenon on both sides of the Atlantic. The fascinating juxtapositions that follow include Richard Hell's poignant analysis of the graffiti at CBGB and Dominic Molon's look at the effects of Peter Blake and Richard Hamilton on the thoroughly "mainstream" -- yet still highly art-conscious -- Beatles. Simon Reynolds matches Yoko Ono's "conscious regression" with Brian Eno's early devotion to the primacy of the artist over the medium. Both Ono and Eno injected vital experimentalism into a rock scene dominated by the cult of virtuosity and musicianship -- and arguably prepared the ground for the DIY punk culture of the '70s and '80s. Most of the art accompanying these thought-provoking pieces stands well on its own, though some of the plates of video installations are hard to fully appreciate on the printed page. On the whole, however, this is a gorgeous work that makes manifest the creative vitality that visual artists and musicians share. -

April 24: "[The HST] lifted a curtain from our view of the universe, changing it so profoundly that no human can look at the stars in the same way..."

Kenneth Calhoun (Black Moon) and Lysley Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

advertisement
Books, CDs, DVDs to know about now
In the Light of What We Know

Zia Haider Rahman's mystery of a brilliant Bangladeshi mathematician's past barrels through the Ivy League, London high finance, and spy-haunted Afghanistan in a page-turning tale of exile, intrigue and the price of friendship. A Discover Great New Writers selection.

The People's Platform

Once touted as the foundation for tomorrow's digital democracy, the Internet is increasingly ruled by a few corporate giants, while millions of contributors till its fields for free. Astra Taylor looks at why the web has failed to deliver a communitarian cyberscape, and offers a compelling case for restoring its original vision.

A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.