Sir John Soane's Museum London

At 13 Lincoln's Inn Fields, facing the largest square in the city, an elegant small house conceals behind a modest facade the most remarkable and personal museum in London, perhaps in all the world. Bequeathed to the nation by its owner in 1837, Sir John Soane's Museum is crammed with sculptures, paintings, and curiosities that occupy every available inch of wall and floor space. The Picture Room, for instance, a chamber of modest dimensions, is designed with such ingenuity that it contains more than 100 works -- including compositions by Canaletto, Piranesi, Hogarth, and Turner -- arranged on walls that are hinged screens, each opening out to reveal new layers of paintings and drawings behind. Written by the present director of the museum, Tim Knox, this handsome volume, featuring photographs by Derry Moore, is the first substantial illustrated book on the museum since the 19th century. The opening part of Knox's text offers a telling account of the life and career of John Soane (1753-1837), tracing his progress from bricklayer's boy to eminent architect (whose innovative elaborations of Greek and Roman motifs produced such influential buildings as the Bank of England and the Dulwich College Picture Gallery) and elucidating the origins of his home museum. Knox then turns his attention to a room-by-room tour of Soane's enduring legacy, offering readers informed and insightful guidance through a wonder-cabinet bursting with astonishing contents and cultural resonances -- including more than 7,000 books, a seemingly endless supply of artifacts and antiquities, and such singular items as the sarcophagus of the Egyptian pharaoh Seti I.

April 23: " 'A job,' the woman repeated again, smiling, as if I hadn't heard her. 'Would you like one?' "

Kenneth Calhoun (Black Moon) and Lysley Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

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The People's Platform

Once touted as the foundation for tomorrow's digital democracy, the Internet is increasingly ruled by a few corporate giants, while millions of contributors till its fields for free. Astra Taylor looks at why the web has failed to deliver a communitarian cyberscape, and offers a compelling case for restoring its original vision.

A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.