O Lucky Man!

Malcolm MacDowell first appeared on screen as Mick Travis in If?, Lindsay Anderson's 1968 film about rebellion in an English private school. Five years later, Anderson and MacDowell brought Travis back in O Lucky Man!, a film exhilarating contradictions: intricately structured yet with a improvisatory feel, it tells an allegorical tale of the evils of capitalism with a sardonic mind and a light heart. Imagine Voltaire's Candide restaged by Bertolt Brecht, then redeemed by performers (Rachel Roberts, Ralph Richardson, a very young Helen Mirren) who seem to be having the time of their lives. As the fable unfolds, the ambitious Travis embarks on a career as a coffee salesman only to find himself falling into a bottomless pot of hot water, scalded by seduction, duplicity, greed, betrayal, and corruption. Throughout, the musician Alan Price (a founding member of The Animals) comments on the action in on-screen renditions of the superb suite of songs he composed for the film. For all its black humor, watching the film is a joyful experience, in no small part because of Price's presence. -

July 26: On this day in 1602 "A booke called the Revenge of Hamlett Prince Denmarke" was entered in the Stationers' Register by printer James Robertes.

Crime fiction legends Dennis Lehane and Michael Connelly discuss the new book that unites their beloved sleuths Patrick Kenzie and Harry Bosch.

Books, CDs, DVDs to know about now
Paradise and Elsewhere

Canadian short story marvel Kathy Page emerges as the Alice Munro of the supernatural from these heartfelt tales of shapeshifting swimmers, mild-mannered cannibals, and personality-shifting viruses transmitted through kisses.


When a persuasive pastor arrives in a sleepy farm town, his sage influence has otherworldly results (talking sheep, a mayor who walks on water). But can he pull off the miracle of finding kindly local Liz Denny the love of her life?  Small wonder looms large in this charmer from Andre Alexis.

The Hundred-Year House

When a poetry scholar goes digging through the decrepit estate of his wife's family to uncover a bygone arts colony's strange mysteries, he awakens a tenacious monster: his mother-in-law. A wickedly funny take on aging aristocracies from author Rebecca Makkai (The Borrower).