Foreskin's Lament

I told Dr. Hirsch that I had been thinking about suicide. -- Not about committing it, I said. -- Just about its theological implications. This passage from near the close of Shalom Auslander's grimly funny Foreskin's Lament captures the attitude and obsession that define this unusual memoir. It's less a coming-of-age story than the account of one man's struggle with an elusive, powerful adversary -- who just happens to be the One True God. The product of a strictly observant Orthodox Jewish upbringing, Auslander chronicles a childhood marked by the dread of a deity straight out of Thomas Hardy -- capricious, enigmatic, and amused by the human struggle to make sense of Him. As a boy the author discovers that his best defense against this adversary is to mine a layer of black humor deep enough to hide from even an all-seeing presence. ("Good one, God," is a refrain.)

But it's not Auslander's strategy to hide; rather, this often self-lacerating book holds nearly nothing back. The unvarnished mess of the author's family life -- from his mother's commitment to local respectability, to his rebellious brother's archetypal battle with a drink-tormented father, to his own growing obsessions with shoplifting and transgressive sex -- is brought forward in mesmerizing focus. Even more vivid are the scenes with the irascible characters responsible for the author's religious education -- which he unforgettably characterizes as "theological abuse." Infused with a unyielding rage (and sometimes nearly capsized by it) the story of how Auslander abandons their world for a loving one of his own choosing is also the tale of how he's never quite left it behind. --

April 24: "[The HST] lifted a curtain from our view of the universe, changing it so profoundly that no human can look at the stars in the same way..."

Kenneth Calhoun (Black Moon) and Lysley Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

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A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.