Don't Look Now

Ahem, Poe: You might NOT want to check over your shoulder. Just in time for Halloween -- Daphne Du Maurier, the British writer who penned such classics as "Escort," "Don't Look Now," and "The Birds" re-appears in a new collection of the odd, eerie and macabre. Du Maurier's output was classic stuff of the fifties and sixties: Hitchcock used her stories for several films, for instance. She was extraordinarily prolific, but a great deal of her work has been largely out of print for decades. This collection showcases her cult and not so cult classics in all their chilling, uneasy glory. Du Maurier is a master of the peaceful beginning gone wrong -- her stories often launch with would-be landscape paintings of sea or scenery, behind which some awful pressure builds, threatening, like birds' beaks, to puncture. Other times the tales begin with the too-tidy house or the too-foggy night. Yet all her beginnings are full of delicious forebodings: In "Split Second," Mrs. Ellis, the too-finical housewife, can't serve her jam to guests without feeling "a little stab of disappointment: it would mean a gap upon the store cupboard." Larger confusions and chaos are in store for her as the world she believes she lives in upends and becomes nightmarish: No amount of domestic order can keep that chaos at bay. Again and again, du Maurier's characters are helpless against the sudden and relentless power of another, more sinister dimension, one that enters through peripheral vision and then encroaches. Best not to look now, or really, ever: Like the evil that rears at the end of the titular Don't Look Now it is always too late when seen head on.

July 22: On this day in 1941, on his twelfth wedding anniversary, Eugene O'Neill presented the just-finished manuscript of Long Day's Journey into Night to his wife, Carlotta.

Crime fiction legends Dennis Lehane and Michael Connelly discuss the new book that unites their beloved sleuths Patrick Kenzie and Harry Bosch.

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Books, CDs, DVDs to know about now
The Hundred-Year House

When a poetry scholar goes digging through the decrepit estate of his wife's family to uncover a bygone arts colony's strange mysteries, he awakens a tenacious monster: his mother-in-law. A wickedly funny take on aging aristocracies from author Rebecca Makkai (The Borrower).

Watching Them Be

What makes a film actor into a larger-than-life movie star? James Harvey's passionate, freewheeling essays explain why there are some faces (from Greta Garbo's to Samuel L. Jackson's) from which we cannot look away.

Landline

What if you called up the spouse on the verge of leaving you -- and instead found yourself magically talking to his younger self, the one you first fell for?  Rainbow Rowell, author of the YA smash Eleanor & Park, delivers a sly, enchanting take on 21st-century love.