Do You Believe?

Teacher and filmmaker Antonio Monda interviewed eighteen prestigious figures from the arts for this book, although the word "interviewed" overstates it a touch: "polled" might be better, given that his questions focus, like those of a telemarketer, on a single issue. Monda wants to know from these eminences whether they believe in God, and if so, what form their belief takes. Some of them seem rather nettled by his presumption. "I'm afraid of banality," says Saul Bellow. Others, meanwhile, seem not to be afraid of banality at all: "It's said that God is in the details," muses Richard Ford. "Or maybe it's the Devil who's in the details. I always get those two confused." But I may be doing Ford an injustice here: Do You Believe? was first published in Italy in 2006 as Tu Credi? and then translated for this edition by Ann Goldstein, which means that the original comments have been rendered into Italian and then back out of it -- not a process likely to preserve much of their native zest. So Spike Lee, in these pages, sounds exactly like Jane Fonda, whose diction in turn strongly resembles that of David Lynch. Or could it be that talking about God reduces all but the simplest or most brilliant to the same state of windy abstraction? Certainly, there'd be a hint of divine justice in that. -

April 24: "[The HST] lifted a curtain from our view of the universe, changing it so profoundly that no human can look at the stars in the same way..."

Kenneth Calhoun (Black Moon) and Lysley Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

Books, CDs, DVDs to know about now
In the Light of What We Know

Zia Haider Rahman's mystery of a brilliant Bangladeshi mathematician's past barrels through the Ivy League, London high finance, and spy-haunted Afghanistan in a page-turning tale of exile, intrigue and the price of friendship. A Discover Great New Writers selection.

The People's Platform

Once touted as the foundation for tomorrow's digital democracy, the Internet is increasingly ruled by a few corporate giants, while millions of contributors till its fields for free. Astra Taylor looks at why the web has failed to deliver a communitarian cyberscape, and offers a compelling case for restoring its original vision.

A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.