Classics for Pleasure

Washington Post book critic and Pultizer Prize winner states his intention plainly: he wants to introduce readers to great works of literature that will give them pleasure. And in his aptly titled new book he does so with great gusto and aplomb. That alone separates him from most academic writers, while his sense of "classic" is also a far cry from what you might expect, since Dirda displays a genuine love of so-called genre fiction -- the everyday magic of Frances Hodgson Burnett, the cracked visions of Philip K. Dick, and the creepy forebodings of M. R. James. A self-confessed "passionate reader," as he's demonstrated in a number of previous books as well, Dirda once again surveys an amazing range of literary works: from poets (Pope, Pound, Ovid) to philosophers (Heraclitus, Spinoza, Kierkegaard), with a few playwrights (Marlowe and Webster) thrown in for good measure. Dirda's breadth of vision will humble even the most voracious readers, who are certain to meet some unfamiliar faces in this crowd, which includes Abolqasem Ferdowsi, Marie-Madeleine de La Fayette, and Girolamo Cardano, to name just a few. Better yet, Dirda reminds us of why we treasure the authors we do -- he celebrates the "civilized amusements" of Max Beerbohm, the "heartbreakingly pure voice" of Sappho, and the "grave and august power" of the Beowulf poet. Dirda's generous aesthetic spans writers as different as the genial Erasmus and the misanthropic Louis-Ferdinand C‚line: he admires both the complex prose of Cicero and the clean narratives of Dashiell Hammett. In short, Dirda's a critic of Whitmanic proportions: he contains multitudes. -Thomas DePietro

April 23: " 'A job,' the woman repeated again, smiling, as if I hadn't heard her. 'Would you like one?' "

Kenneth Calhoun (Black Moon) and Lysley Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

Books, CDs, DVDs to know about now
In the Light of What We Know

Zia Haider Rahman's mystery of a brilliant Bangledeshi mathematician and the haunting crime he's committed barrels through the Ivy League, London high finance, and ravaged Afghanistan with vinegar-steeped prose recalling the best of George Orwell and Joseph Conrad.

The People's Platform

Why is the Internet - once touted as the democratizer of the future - ruled by a few corporate giants, while countless aspirants work for free? Astra Taylor diagnoses why the web has failed to be a utopian playing field, and offers compelling ways we can diversify the marketplace and give voice to the marginalized.

A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.