Child of All Nations

You don't expect a novel about a family tramping around pre–World War II Europe to hold you in its grip so tight that you read the entire book in one sitting. But that's exactly what Irmgard Keun's Child of All Nations does, thanks to the shrewd voice of its narrator, a ten-year-old girl named Kully who coolly endures being dragged from country to country by her neurotic mother and ne'er-do-well writer father, who's turned his back on Nazi Germany. Keun, whose books were banned by the Nazis, is bound to be resurrected from obscurity by this 1938 novel, now getting its first English translation by Michael Hofmann. Written before the full onslaught of the Holocaust, the book treats war as dark background scenery and focuses instead on the family's plight -- a struggle that keeps them barely one step ahead of poverty, creditors, and starvation. Kully's insights into her world are simple but profound: "My throat felt like an endless tube full of hunger." Or consider her perspective on international politics: "The world has grown dark, because of rain and war?. War is something that comes and makes everything dead. Then there'll be nowhere left for me to play, and bombs will keep falling on my head." Kully is a captivating character, and even in the face of misery, she's often very funny: "I'm not sure whether I don't understand grown-ups, or if they're just too stupid for words." This, however, is a novel that's smart beyond its years.

July 25: On this day in 1834 Samuel Taylor Coleridge died of heart disease at the age of sixty-one.

Crime fiction legends Dennis Lehane and Michael Connelly discuss the new book that unites their beloved sleuths Patrick Kenzie and Harry Bosch.

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When a persuasive pastor arrives in a sleepy farm town, his sage influence has otherworldly results (talking sheep, a mayor who walks on water). But can he pull off the miracle of finding kindly local Liz Denny the love of her life?  Small wonder looms large in this charmer from Andre Alexis.

The Hundred-Year House

When a poetry scholar goes digging through the decrepit estate of his wife's family to uncover a bygone arts colony's strange mysteries, he awakens a tenacious monster: his mother-in-law. A wickedly funny take on aging aristocracies from author Rebecca Makkai (The Borrower).