Julian Barnes

Three works that speak with immediacy, across miles and decades.



A writer whose work frequently blurs the boundaries between fictional invention and an essayist's engagement with history, art, and philosophy, Julian Barnes has married the cerebral with matters of the heart in unclassifiable works such as Flaubert's Parrot and The History of the World in 10 1/2 Chapters. His new book of short stories, Pulse, revisits themes that have pervaded his novels -- loss and love, friendship and fidelity. This week he points us to two collections of short fiction that demonstrate the form's limitless range, as well as an eminent novelist's unique life of her more famous colleague.


Books by Julian Barnes



Long, Last, Happy: New and Collected Stories

By Barry Hannah


"This is both an anthology and a tribute to a great voice of the American South. Hannah died last year, much praised by fellow writers but not as widely read as he deserved to be. He had a perfect ear, an eye for scary detail, and a kind of literary bravado about him: if in doubt, go for it, was his rule. The ride often makes your stomach somersault and your ears pop."



In the Driver's Seat

By Helen Simpson


"As English and female as Hannah is American and male, Simpson is the best British short-story writer under 50. The two of them, taken together, show the extraordinary range of tone and content the form can include. A (male) English critic recently wrote, 'You wouldn't want to be a man in a Helen Simpson short story,' not even if you were Barry Hannah. Merciless, funny, and wise. Look out for her next collection, In-Flight Entertainment, coming out in 2012."



The Life of Charlotte Brontë

By Elizabeth Gaskell


"The first biography of a woman novelist by another woman novelist, Gaskell's book remains amazingly fresh after a century and a half, and as fascinating in its flaws as in its many strengths. Though deeply sympathetic in general, Gaskell was alarmed by (and sought to mitigate) what Gaskell and her fellow-Victorians thought of as the 'coarseness' of Brontë. Her 'branding' started off the Brontë industry, whose founding myths are still being unpicked to this day (see, for instance, The Brontë Myth by Lucasta Miller)."


April 23: " 'A job,' the woman repeated again, smiling, as if I hadn't heard her. 'Would you like one?' "

Kenneth Calhoun (Black Moon) and Lysley Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

Books, CDs, DVDs to know about now
In the Light of What We Know

Zia Haider Rahman's mystery of a brilliant Bangladeshi mathematician's past barrels through the Ivy League, London high finance, and spy-haunted Afghanistan in a page-turning tale of exile, intrigue and the price of friendship. A Discover Great New Writers selection.

The People's Platform

Once touted as the foundation for tomorrow's digital democracy, the Internet is increasingly ruled by a few corporate giants, while millions of contributors till its fields for free. Astra Taylor looks at why the web has failed to deliver a communitarian cyberscape, and offers a compelling case for restoring its original vision.

A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.