Displaying articles for: January 2014

Second Language: A Guest Post by Jennifer Percy

We’re still talking about Jennifer Percy’s striking debut, Demon Camp: A Soldier’s Exorcism in the Discover reading room, months after we knew it had made the cut for our Spring 2014 list. We’re terrifically pleased to run “Second Language”, an original guest post by Jennifer, followed by a conversation in which she discusses the language of trauma – and hauntings – and the book that stands as a reminder that, as Jennifer says, nonfiction “can and should be held to the same literary standards as fiction”, among other things, with Discover Great New Writers


"We Are All—Every One of Us—Unreliable Narrators": Alethea Black and Mary Miller in Conversation

Mary Miller (The Last Days of California, Discover Spring '14)  and Alethea Black ( I Knew You'd Be Lovely, Discover Spring '11) cover similar territory in their writing: with indelible voices, their characters long for connection, and look to be understood -- and understand their places in the world.  In this far-ranging conversation for the Discover blog, Miller and Black discuss starting their writing careers later in life; the differences between writing long form fiction vs. short stories, and for an adult audience vs. a YA audience; and how shifting a story’s POV can electrify it, among many, many other things.


April 18: "[W]ould it be too bold to imagine that all warm-blooded animals have arisen from one living filament…?"

Donna Tartt's The Goldfinch is the winner of the 2014 Pulitzer Prize for Fiction. James Parker calls this Dickensian coming-of-age novel "an enveloping…

Books, CDs, DVDs to know about now
Poems That Make Grown Men Cry

And women too.  Luminaries from Colin Firth to Nick Cave and Jonathan Franzen chose the poems that bring them to tears, and the result is a stunning collection of poignant verse from writers like Auden, Whitman, Bishop, Larkin, Neruda and many others.  Warning: choking-up hazard.

The King of Pain

Trapped beneath his entertainment system, reality TV mastermind Rick Salter reflects on his life and tries to piece together the events of the previous evening. Seth Kaufman’s romp is an outrageous meditation on pain and entertainment in a deranged world in which the two are often interchangeable.

The Good Inn

Frank Black, frontman for the Pixies, has written a transgressive historical fiction with shades of Thomas Pynchon (focused as it is on the history of explosives and cinematic pornography), all set in a hallucinatory Edwardian Europe.