Unhappy Endings

…But after I got them to leave and shut the door and turned off the light it wasn't any good. It was like saying good-by to a statue. After a while I went out and left the hospital and walked back to the hotel in the rain.

--the concluding lines of Ernest Hemingway's A Farewell to Arms, published on this day in 1929

 

Hemingway scholars document some forty different manuscript endings, all of them included in the recent edition of the novel published by the Hemingway Library. Common to "The Religious Ending," "The Live-Baby Ending," "The Morning-After Ending," "The Funeral Ending," and all the others is the death of Catherine Barkley, "The Nada Ending" being perhaps the bleakest: "…That is all there is to the story. Catherine died and you will die and I will die and that is all I can promise you."

F. Scott Fitzgerald sent Hemingway six pages of manuscript comments, including the advice that the novel should end with an earlier paragraph from "one of the most beautiful pages in English literature":

You learn a few things as you go along and one of them is that the world breaks everyone and afterward many are strong at the broken places. Those that it does not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.

Hemingway's manuscript shows that he experimented with "The Fitzgerald Ending" -- sometimes called the "Kiss My Ass Ending" after the annotation Hemingway scrawled next to his friend's advice."

 


Daybook is contributed by Steve King, who teaches in the English Department of Memorial University in St. John's, Newfoundland. His literary daybook began as a radio series syndicated nationally in Canada. He can be found online at todayinliterature.com.

 

Kenneth Calhoun (Black Moon) and Lysley Tenorio (Monstress) of the Discover Great New Writers program on B-movies, heritage, and finales.

advertisement
Books, CDs, DVDs to know about now
In the Light of What We Know

Zia Haider Rahman's mystery of a brilliant Bangladeshi mathematician's past barrels through the Ivy League, London high finance, and spy-haunted Afghanistan in a page-turning tale of exile, intrigue and the price of friendship. A Discover Great New Writers selection.

The People's Platform

Once touted as the foundation for tomorrow's digital democracy, the Internet is increasingly ruled by a few corporate giants, while millions of contributors till its fields for free. Astra Taylor looks at why the web has failed to deliver a communitarian cyberscape, and offers a compelling case for restoring its original vision.

A Private Venus

Dubbed "the Italian Simenon," Giorgio Scerbanenco (1911-1969) began his crime-writing career with books set in the USA, but quickly shifted scene closer to home, the city of Milan.  In this adventure, appearing in English for the first time, his underdog hero Dr. Duca Lamberti finds himself in the middle of a seedy, scantily clad criminal racket, where the presence of an outsider could result in death.