October 28: On
this day in 1958 Samuel Beckett's Krapp's
Last Tape was first performed. According to the authorized biography (Damned to Fame, James Knowlson, 1996),
the play was one of the author's favorite works—a "nicely sad and
sentimental" play about which he felt "as an old hen with her last
chick," Beckett wrote in his letters at the time, but not likely to
achieve the fame of Waiting for Godot
and Endgame: "It will be like
the little heart of an artichoke served before the tripes with excrement of
Hamm and Clov. People will say: good gracious, there is blood circulating in
the old man's veins after all, one would never have believed it; he must be
getting old."
For decades, as an attempt to document and decipher his
life, the aging Krapp has been making a tape recording on his birthday. On this
sixty-ninth birthday, as he plays back "Box three, spool five," he
all but gags on the precious thoughts of "that stupid bastard I took
myself for thirty years ago":
What I suddenly saw then was this, that the belief I had
been going on all my life, namely—(Krapp
switches off impatiently, winds tape forward, switches on again)—great
granite rocks the foam flying up in the light of the lighthouse and the
wind-gauge spinning like a propeller, clear to me at last that the dark I have
always struggled to keep under is in reality my most—(Krapp curses, switches off, winds tape forward...)
In some ways, Beckett's last years were as Krapp's—a
hopeless compulsion to articulate what words couldn't ever seem to capture, to
"fail better." One letter from 1983: "I remember an entry in
Kafka's diary. 'Gardening. No hope for the future.' At least he could garden.
There must be words for it. I don't expect ever to find them." And another
letter several months later: "The wall won't recede and I have no reverse
gears. Can't turn either." At about his time he was writing What Where, the play that turned out to
be his last, and which ended in tape recorder fashion:
Time passes.
That is all.
Make sense who may.
I switch off.
Daybook is contributed by Steve King, who teaches in the English Department of Memorial University in St. John's, Newfoundland. His literary daybook began as a radio series syndicated nationally in Canada. He can be found online at todayinliterature.com.
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